EDUCATION
1995-1996 Whitney Museum Independent Study Program, New York
MFA 1993 California Institute Of The Arts, Valencia, CA
Nova Scotia College Of Art And Design, Halifax, Nova Scotia
BFA Antioch College, Yellow Springs, Ohio
SELECTED EXHIBITIONS
2012
University of Colorado Denver, College of Arts and Media, faculty exhibition
Emmanuel Gallery, Denver, CO
2011
Collective Nouns
Center for Visual Arts, Denver, CO
Double Diptych
Vertigo Art Space, Denver, CO
Curated by: Rupert Jenkins
2010
Rehearse, Rewind, Repeat: Photography, Video, and Performance
Ohio University School of Art Gallery, Athens, Ohio
Curated by: Kelli Connell
Club X, Oakland Opera House
Oakland,
CA
2009
Punks on Film
San Francisco Public Library
Mutants LIVE at Warhol Live
Koret Auditorium
DeYoung Museum, San Francisco, CA
Collective Nouns
Center for Visual Arts, Denver, CO
Metro Biennial, MSCD faculty exhibition
Emmanuel Gallery, Denver, CO
2008
Pioneers of Punk
Fillmore Auditorium, San Francisco, CA
Louder, Faster: Punk in Performance
Pacific Film Archive, Berkeley, CA
Metro Biennial, MSCD faculty exhibition,
Emmanuel Gallery, Denver, CO
2007
The Womanizer Film Series
Curated by Kembra Pfahler and Eric Schmalenberger
Deitch Projects, New York, NY
Dirk Fest, Slim's, San Francisco, CA
Dirk_remiX, collaboration with Fritz Fox
Collective Nouns
Center for Visual Arts, Denver, CO
2006
Fab Mab Reunion
Fillmore Auditorium, San Francisco, CA
Underplayed: A Mix-Tape of Music-Based Videos, (DIY: YouTube: video screening)
http://www.youtube.com/watch?v=T13H9BEg8aY, http://www.youtube.com/watch?v=x-K3U2Cbk3g
Yerba Buena Center for the Arts, San Francisco, CA
Metro Biennial, MSCD faculty exhibition
Emmanuel Gallery, Denver, CO
2005
Isola Virtuale, La Biennale di Venezia Visual Arts 2005,
Curated by Caterina Davinio
Don’t Avert Your Eyes, Netherworld Café, Denver, CO
Back to Back, Center for Visual Arts, Denver, CO
2004
Anxiety and Desire, Center for Visual Arts, Denver, CO
curated by Clare Cornell
The Educated Eye, Emmanuel Gallery, Denver, CO
In the Center of Things, Center for Creative Photography, Tucson, AZ
Curated by Harold Jones and Doug Nickels
UCD Faculty Exhibition, Marriott Courtyard, Denver, CO
2003
This Year's Model, Cordell Taylor Gallery, Denver, CO
2002
Basel International Art Fair, Basel, Switzerland
eGRRRLZ go eMAD, Victoria Myhren Gallery, University of Denver
2000
Transparent Architecture, Gale Gates et al, Brooklyn, NY
Curated by Anne Ellegood
Electronic Easel, University of Colorado Galleries, Boulder, CO
Curated by Simon Zalkind
The Human Form, Arvada Center for the Arts and Humanities
installation of Casual Encounters with Strangers and Muscle_Beach
Curated by Rudi Cheri
American Photography Institute Fellowship Exhibition, Tisch School of the Arts, NYU, New York. NY
Colorado 2000, Boulder Museum of Contemporary Art, Colorado
Curated by Ingrid Schaffner
Faculty Portfolio, University of Denver, Colorado, installation of Muscle_Beach
1999
Alternative: Alternative, Roebling Hall, New York, NY
collaboration with Kelly Hashimoto
Curated by William Stover
1998
The Female Gaze, Pyramid Arts Center, Rochester, NY
Curated by Karen vanMeenan, Sarah Webb and Elizabeth McDade
Art in the Service of Politics, Gallery 145, St. Petersburg, FL
1997
Self-Portrait, Center for Creative Photography, Tucson, AZ
Chelsea Jam, (w/ Fritz Fox) Community Hudson Art Guild, New York, NY
Art Program for the Oldsmar City Hall, organized by the USF CAM, Oldsmar, FL
Thing, NYC, Unveiling Masculinities: the private edit session, video on website
Collaboration with Kelly Hashimoto
1996
Joint Ventures, Basilico Fine Arts, New York, NY
curated by Nicolas Bourriaud
Working Histories, Los Angeles Center for Photographic Studies, CA
Casual Encounters With Strangers
Whitney Museum of American Art ISP Open Studios, New York, NY
Buck Stop: Pro-Vanities in the Bathroom, with Kelly Hashimoto, Spot Gallery, NYC, NY
Deadly Responses: Murder and Suicide by Women, Longwood Arts Gallery, Bronx, NY
Curated by Betti-Sue Hertz
Faculty Exhibition, Contemporary Art Museum, The University of South Florida, Tampa, FL
Lovefest, Spot Gallery, New York, NY, curated by Kelly Hashimoto
1995
Heartbeat of America/Ceasing Operations, Access Tucson, Arizona
1994
Pump, Side Street Gallery, Santa Monica, CA (solo exhibition)
All In a Day’s Work, L.A. Freewaves, AFI National Video Festival, Los Angeles
Faculty Exhibition, University Art Museum, The University of Arizona, Tucson
1993
From Whose Viewpoint?, Pro Arts, Oakland, CA
Breakdown, Cyberspace at EZTV, Los Angeles
The Photography Institute Fellowship Exhibition, Tisch School of the Arts, New York University
Tradesecrets (performance), Beyond Baroque, Venice, CA
Some Photographs: 32 Penises, L-Shaped Gallery, Cal Arts, Valencia, CA
Show of Force/I Will Be Your Eyes, American Film Institute National Video Festival, AFI, LA
1992
Breaking Barriers: Revisualizing the Urban Landscape, Santa Monica Museum of Art, CA
Towers of Extinction, Lime Gallery, California Institute of the Arts, Valencia, CA
Some Federal Reserve Notes, Old Federal Reserve Bank, Foundation For Art Resources, LA, CA
1991
Six American Photographers, Sunny Gate Gallery, Taipei, Taiwan
1990
Curator: Women Artists At Work, Eye Gallery, San Francisco, CA
Visual Exchange, Helen Lindhurst Galleries, Los Angeles, CA
Behind the Orange Curtain, U. C. Irvine, CA
Visual Exchange, DA Gallery, Pomona, CA
1989
Honorable Mention: Annual Juried Show, Los Angeles Center for Photography
1988-89
Affiliate Artist Open Studios: Headlands Center for the Arts, Sausalito, CA
1987
Juried Photographics, Phinney Center, Seattle, WA
1986
33rd Annual: Photography, Richmond Art Center, CA
Bay Guardian Photography Exhibition, Climate Gallery, San Francisco, CA
Fifth Anniversary Members' Show, Eye Gallery, S.F., CA
Maine Photographic Workshops, Annual Show, Puck Building, NYC, NY
1985
SNAP! Photography'85, San Francisco Arts Commission Gallery, San Francisco, CA
curated by Joel Peter Witkin and Constance Lewellan
Purchase Award
Second Annual 94110 Show, Eye Gallery, San Francisco, CA
1984
Sixth Annual Bay Guardian Photography Exhibition, 20 x 20 Gallery,
San Francisco, CA Honorable Mentions
Sabre 620 Series, Eye Gallery, San Francisco, CA
Performance Above Capital Tires, (for Charlie Woodman) San Francisco, CA
WORK EXPERIENCE
2007 – present
Artist / Teacher
Master of Fine Arts in Visual Art Program, Vermont College of Fine Arts, Montpelier
2011 – present
Lecturer, Darkroom Photography
College of Arts and Media, University of Colorado, Denver
2004 - 2011
Visiting Assistant Professor and (from FA09) Coordinator of Photography Program
Art Department, Metropolitan State College of Denver, CO
2003 - 2004
Honorarium Instructor of Photography
College of Arts and Media, University of Colorado, Denver
1998-2003
Assistant Professor, Electronic Media Arts Design
School of Art and Art History, University of Denver
1996-1998
Assistant Professor, Electronic and Time Based Media
Department of Art, College of Fine Arts, University of South Florida, Tampa
1995-1996
Co-Director, Internet Agency, Artists’ Web-site design firm, New York, NY
clients included: Sally Jessy Raphael
1994-1995
Visiting Professor
Photography Program, Department of Art, The University of Arizona, Tucson
1993-1994
Teacher, Artist in Residence, Sixth Street Photography Workshop, San Francisco, CA
Stationary Engineer, City and County of San Francisco Public Libraries
Member: International Union of Operating Engineers, Local 39
1993
Teaching Assistant for Allan Sekula, California Institute of the Arts
Visual Semiotics and Graduate Seminar in Photography: Modernism, Photography and the Body
Art Instructor, William Grant Still Art Center,
City of Los Angeles Cultural Affairs Department
Intern, Department of History, Los Angeles Public Library, Photography Collection
1992
Teaching Assistant for Andrea Liss, California Institute of the Arts
Genders, Genres, and Other Contemporary Dramas and
Stolen Glances: Workshop in Feminisms
Teaching Assistant for Kaucyila Brooke, California Institute of the Arts
Narrative Photography
Stationary Engineer, DeYoung and Asian Art Museums, San Francisco, CA
Member: International Union of Stationary Engineers Local 39
1989-1990
Studio Assistant, Mitchell Syrop, Los Angeles, CA
1988-1989
Facilities Manager, Headlands Center for the Arts, Sausalito, CA
PUBLIC PRESENTATIONS
2012
College Art Association, Los Angeles, CA panel presentation:
Watch Out for the Furniture: Bruce Conner Loves the Mutants
Punk Rock and Contemporary Art on the West Coast
Adam Lerner and Steven Wolf, panel chairs
2011
Center for Visual Arts, Denver, CO, Collective Nouns Gallery Talk
Flash Gallery, Working With Artists, Lakewood, CO, Action Figures, Presentation with Rupert Jenkins
2010
Rocky Mountain College of Art and Design, Denver, CO, Artist’s Presentation
2009
Center for Visual Arts, Denver, CO, Collective Nouns Gallery Talk
2007
Center for Visual Arts, Denver, CO, Collective Nouns Gallery Talk
2003
Cordell Taylor Gallery, Denver Colorado, Artist’s Talk
2001
Second Annual Comparative Literature Colloquium, University of Denver
Panel Chair “Inter(active) Textuality: Translating the Body Through Technology”
2000
College Art Association, New York, NY panel presentation:
Casual Encounters With Strangers: Relational Aesthetics, Photographing the Body of the Other, and Using the Camera to Pick Up Men
Deborah Willis, panel chair
Society for Literature and Science, Atlanta Georgia,
Panel Chair: “Multimedia and Interactivity: Where Is the Body?”
Metro State College, Denver, CO, Artist Presentation
1998
California Institute of the Arts, Visiting Artist Presentation
California State University, Chico, “From Representation to Interactivity”
University of Rhode Island, Artist Presentation
Bard College, New York, Artist Presentation
DePauw University, Indiana, Artist Presentation
University of Denver, Colorado, Artist Presentation
Mid Atlantic College Arts Association, Lexington, KY, panel presentation
1997
ISEA97, International Society of Electronic Media, Chicago, IL,
panel presentation: Theoretical and Practical Teaching of Electronic Media
FEHAN, Contemporary Art Museum, Tampa, FL,
Presentation: “Interactive Multimedia in Interdisciplinary Contexts”
University Technology Symposium, University of South Florida
Presentation: “How to make a website in 5 minutes”
California State University San Marcos, Artist Presentation
Blake High School for the Performing Arts, Tampa, Artist Presentation
1996
University of Northern Iowa, Artist Presentation
University of South Florida, Artist Presentation
Oberlin College, Artist Presentation
1995
Gallery Lecture, Center For Creative Photography, “Outside the Realm of the Possible:
Realisms, Feminisms, and Ruth Thorne Thomsen”
1994
Jersey City State College, Artist Presentation
PUBLISHED WRITINGS
exposure: 39:1 Society for Photographic Education, 2006
Magic Wand II, Addison Wesley, 1998
“How I Made an Electronic Media Area at the University of South Florida,”
ISEA 97 Proceedings Journal
“Implications of Recent Radical Technological Changes, an analysis”,
American Photography Institute Journal, NYU 1996
Rethinking Marxism, a journal of economics, culture, and society, vol. 7, no. 4, 1995
exposure, 29.2/3 Sex Wars: Photography on the Front Lines, Deborah Bright, ed., 1995
Withinsight: Visual Territories of Thirty Artists, Chris Bruce and Kathleen Shields, 1995
California Institute of the Arts 25th Anniversary CD ROM, 1995
Women and Work, Maureen Michaelson, ed., New Sage Press, OR 1987 and reprinted 1994
“Water in the West” and “Abigail Solomon Godeau Goes to Coney Island” with Susan Otto
in American Photography Institute Journal, NYU, Christopher Phillips, ed., 1993
Project X, Extreme Research, Ellen Birrell, ed., Los Angeles, CA 1993
Honey Cakes for Cerebus, Art Press, Los Angeles, CA 1993
Fuse-ola Magazine, Los Angeles, CA 1992
Tradeswomen Magazine, San Francisco, CA 1985-88
FELLOWSHIPS AND AWARDS
2006
NYC Punk Rock Evolution Foundation Selection
2000
Women’s Library Fund, University of Denver
1999
Rosenberry Fund, Division of Arts, Humanities and Social Sciences, University of Denver
Internationalization Grant, University of Denver
Faculty Research Grant Award, University of Denver
1997
University of South Florida Technology Research Grant, College of Fine Arts
University of South Florida International Travel Award
1996
University of South Florida Sponsored Research Grant
1994
WESTAF Regional National Endowment for the Arts
Visual Artist Fellowship in New Genres
1994-1995
California Arts Council Artist in Residency, Artist in Special Constituency
Sixth Street Photography Workshop, San Francisco
1994
Bay Area Video Coalition Artist Equipment Access Award
1993
American Photography Institute National Graduate Fellowship
Tisch School of the Arts, New York University
California Institute of the Arts Dean's Project Grant
1992
Ahmanson Project Grant
1992-1993
Technicolor Scholarship Award
1990
American Association of University Women Fellowship
Ahmanson Scholarship Award
1985
San Francisco Art Commission Purchase Award
RELATED EXPERIENCE
2012
Curator Mining Denver's Rock Photography
Colorado Photographic Arts Center
2011
Blind Photography Workshop, engaging concepts of Sight Unseen and Non-retinal Art
Center for Visual Arts, Denver, CO
Month of Photography Portfolio Reviews
Redline, Denver, CO
2008
co-curator Still: Photography and Mortality
Sally Mann, Slater Bradley & Nigel Poor, Center for Visual Arts, Denver, CO
2007
Juror, 36th Annual Jeffco Juried Student Exhibition, Arvada Center, CO
2006
Juror, Greenwood…And Beyond, Curtis Arts & Humanities Center, Greenwood Village, CO
2003-2009
Chair, Production Committee, Silver Plume Community Video Documentary Project
2002-2004
Vice Chair and Secretary, Society for Photographic Education Southwest Regional
1998
Visiting Artist, California Institute of the Arts
1997
Juror, Hillsborough County K-12 Film and Video Annual Competition
1995
Assistant Director, American Photography Institute National Graduate Seminar, NYU
Juror, Center for Creative Photography,
Southern Arizona Young Photographers Juried Exhibition
1994
Production Committee, Teenage Living Room, with Suzanne Lacy,
Teens+Education+Art+Media, Oakland, CA
1993
Visiting Artist, Graduate Seminar, Otis Art Institute of Parsons School of Design, L.A.
1982-1986
Stationary Engineers Local 39 Apprenticeship San Francisco, Ca
1983-1992
Member, Tradeswomen, Inc., Curated Video and Photography Exhibitions at
Video Free America, San Francisco, CA
1984-1989
Curator, Board of Directors, Eye Gallery, San Francisco
REVIEWS OF MY WORK
Dooley, Michael, “Politics of Pop: Warhol’s Working Class SuperHero”, imprint(and re-posted on salon.com)
Paglia, Michael, “A new exhibit at the CVA features work by Metro faculty, including the late E. C. Cunningham”, Westword, Jan 26, 2011
Paglia, Michael, “MSCD Art Faculty Biennial puts teachers on display”, Westword, April 9, 2009
Paglia, Michael, “Psyched Out”, Westword, Jan 6, 2005 (illus.)
Voelz Chandler, Mary, "Photo Show Mines the Mind", Rocky Mountain News, November 26, 2004
MacMillan, Kyle, “Three of Taylor’s Displays Offer Good Models”, The Denver Post, May 30, 2003 (illus.)
Paglia, Michael, “This Year’s Model”, Westword, May 23, 2003 (illus.)
Thomas, Irene Middleman, “Contemporary Art in the Denver Gallery Scene”, Frontier Magazine, May – June 2003 (illus.)
Chandler, Mary Voelz, “Gallery Has Gone to Pop”, Rocky Mountain News, May 16, 2003
Cotter, Holland “Transparent Architecture”, New York Times, July 7, 2000
Giffin, Glenn, “Cyber Side Effects: ‘Electronic Easel' Assesses The Impact”, The Denver Post, July 20, 2000, Page: E-05
Cotter, Holland “Transparent Architecture”, New York Times, July 7, 2000
Mishra, Vaishalee, “Vanity Fair: CU Electronic Art Show Explores The Relationship Between Art And Technology”, Westword, Denver, CO June 8, 2000
Gluckstern, J., “Shaping Us: Artists Exhibit Elements Of The Human __ And Prehuman __ Form”, Daily Camera, Boulder, CO, July 9, 2000, Page: 3d
Zuckerman, Dianne, “Bodies Of Work: Exhibits Explore The Human Form”, The Denver Post Friday, June 23, 2000, Page: F-28
Chandler, May Voelz, “’Colorado 2000’ Duality Raises Questions”, Rocky Mountain News,
January 30, 2000
Raub, Deborah Fineblum, “Objects of Desire” Democrat and Chronicle, Rochester, July 12, 1998
(illus.) Netsky, Ron, “A reversal of roles: the ‘female gaze’”, The City, Rochester, June 10, 1998 (illus.)
vanMeenen, Karen “The Female Gaze: Women Look at Men” Pyramid Newsletter, June 1998
Goff, Brian, WTVT Eyewitness News, CBS affiliate, Tampa, Florida (illus.)
Campbell, Julia “Banned art has Oldsmar revisiting its nudity policy” The Times, Jan 9, 1997 (illus.)
Beall, Suzanne Benton, “What Is Art, Anyway?” The Greater Oldsmar News, February 1997, page 1
Schwartz, Mark S. “Controversial shirtless men photographs exhibited at City Hall” Suncoast News,
2/5/97(illus.)
Bertino, Marlene “Life ...as a lesson plan” Oracle 10/18/96, p. 7
Raynor, Vivien, “Teaching Job” The New York Times Sunday February 11, 1996. (illus.)
Charles, Nick “Women Artists Plumb Desperate Emotions” Daily News, January 12, 1996 (illus.)
Garcia, Kristine, “Killer Art” The Village Voice Vol. XLI, No. 5, (January 30, 1996)
Greene, David A., “Women at Work” Los Angeles Reader Vol. 17, No. 7(November 25, 1994) (illus.)
Barden, Lane, "Funky Science" Artweek, Vol.24, No. 6 (March 18, 1993)
Kosenko, Peter, "FAR BAZAAR" Artweek, Vol.24, No. 2 (January 21, 1993) (illus.)
Urban, Hope, "FAR out! Wild and Crazy 'Alternative Art' Festival Is A Multimedia Bonanza."
Los Angeles Reader (December 11, 1992)
Barden, Lane, "Then Things Got Out of Control." Artweek, Vol.23,No.28 (November 19,1992) (illus.)
Ferentz, Tom, “Women Artists At Work” Artweek, April 12, 1990
Goldberg, Beth, “Women Artists At Work” Artweek, March 29, 1990
PUBLIC COLLECTIONS
Getty Center Archives, Los Angeles, CA
Center for Creative Photography, Tucson, AZ
Los Angeles Public Library, Los Angeles, CA
San Francisco Arts Commission, San Francisco, CA
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